{"id":153236,"date":"2025-08-02T07:00:54","date_gmt":"2025-08-02T05:00:54","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=153236"},"modified":"2025-08-01T08:59:09","modified_gmt":"2025-08-01T06:59:09","slug":"iikanji-yanakanji-von-east-end-x-yuri","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/tracks-des-tages\/iikanji-yanakanji-von-east-end-x-yuri-153236\/","title":{"rendered":"J-Rap-Anf\u00e4nge: \u201eIikanji Yanakanji\u201c von East End x Yuri"},"content":{"rendered":"

\"Cover<\/p>\n

East End x Yuri waren in den 90ern Teil der ersten erfolgreichen J-Rap-Welle (Foto: Single-Cover von \u201eIikanji Yanakanji\u201c)<\/h6>\n

Unser Track des Tages \u201eIikanji Yanakanji\u201c von East End x Yuri ist ein St\u00fcck japanischer HipHop-Geschichte. Als das St\u00fcck im Jahr 1995 erschien, geh\u00f6rte das erweiterte Tokioter Trio zur ersten kommerziell erfolgreichen J-Rap-Welle. Nat\u00fcrlich griff die Musikszene in Japan schon deutlich fr\u00fcher HipHop-Elemente auf. So gelten Yellow Magic Orchestra als die Band, die 1981 mit \u201eRap Phenomena\u201c den ersten japanischen Rap-Track ver\u00f6ffentlichte. Doch YMO sind ein Avantgarde-Pop-Spezialfall, zudem waren die Raps auf Englisch. Zwei Jahre sp\u00e4ter popularisierte der Film \u201eWild Style\u201c in Japan HipHop als Genre und Kultur. Aber aus dieser etablierten sich zun\u00e4chst vor allem Breakdance und das DJing, w\u00e4hrend Rap noch auf seine Stunde warten musste.<\/p>\n

Dass eine muttersprachliche japanische Rap-Kultur sich nur langsam entwickelte, hing vermutlich auch mit einer linguistischen H\u00fcrde zusammen. Beispielsweise kennt das Japanische keine Silbenbetonung wie in europ\u00e4ischen Sprachen und auch der Satzbau unterscheidet sich fundamental vom Englisch der Rap-Vorbilder. Erst 1994 landeten Scha Dara Parr und Kenji Ozawa (vormals in der Indie-Pop-Band Flipper’s Guitar) mit \u201eKon’ya wa b\u016bgi bakku<\/a>\u201c den ersten einheimischen Rap-Hit. Noch im selben Jahr traten East End x Yuri auf den Plan und lieferten J-Rap-Hit-Nachschub. Als Trio hatten East End schon 1992 ein Album herausgebracht, das heute schwer zu finden ist. Erst mit Yuris Zugang stellte sich der Erfolg ein.<\/p>\n

Durchbruch des J-Rap<\/strong><\/h4>\n

Daf\u00fcr war dieser Erfolg umso gr\u00f6\u00dfer. Wie Yellow Magic Orchestra und Kenji Ozawa stiegt Rapperin Yuri Ichii sozusagen quer ins Rap-Game ein. Vorher n\u00e4mlich war sie Teil der Idol-Pop-Gruppe Tokyo Performance Doll. Doch in der japanischen Musikszene funktioniert die Genredurchl\u00e4ssigkeit oft ziemlich selbstverst\u00e4ndlich. So wurden gleich die ersten beiden Singles \u201eDa.Yo.Ne\u201c und \u201eMaicca\u201c zu den ersten J-Rap-Millionensellern. Nicht ganz so viel verkaufte der Nachfolger, unser Track des Tages. Er platzierte sich aber immerhin noch an dritter Position der Oricon-Charts. Musikalisch lassen sich Parallelen zu Arrested Developement oder De La Soul ziehen, aber auch zum spa\u00dfigen Dancefloor-Vibe von Definition Of Sound oder Betty Boo. Doch die Songs funktionierten nicht nur auf international konkurrenzf\u00e4higem Produktionsniveau, sondern sind auch erste Zeugnisse einer eigenen japanischen Rap-Sprache.<\/p>\n

Das Album \u201eDenim-ed Soul 2\u201c von East End x Yuri ist 1995 auf dem Label Epic\/Sony erschienen. Der Song \u201eIikanji Yanakanji\u201c ist, anl\u00e4sslich unserer Themenwoche zu 80s & 90s HipHop<\/a>, heute unser Track des Tages!<\/p>\n

https:\/\/www.youtube.com\/embed\/jXWQiiELZp0?si=I2Cm7tlWWyjtRZJ4&start=62<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

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