{"id":153343,"date":"2025-08-04T00:00:02","date_gmt":"2025-08-03T22:00:02","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=153343"},"modified":"2025-08-06T15:56:16","modified_gmt":"2025-08-06T13:56:16","slug":"nadeem-din-gabisi-offshore-album-der-woche","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/alben-der-woche\/nadeem-din-gabisi-offshore-album-der-woche-153343\/","title":{"rendered":"Nadeem Din-Gabisi \u2013 \u201eOffshore\u201c (Album der Woche)"},"content":{"rendered":"

\"Cover<\/p>\n

Nadeem Din-Gabisi \u2013 \u201eOffshore\u201c (Moshi Moshi Records)<\/h6>\n

Wir sehen einen jungen Mann mit Plastik-Krone auf dem Haupt und Spielzeug-Schwert und -Schild in der Hand. Au\u00dfer diesen extravaganten Accessoires tr\u00e4gt er einen schlichten Trainingsanzug in wei\u00df. Auf dem R\u00fccken steht ein Wort in schmucklosen Lettern: \u201eEngland\u201c. Es wirkt wie eine Karikatur eines patriotischen Ritters \u2013 Symbole des Nationalstolzes, gefertigt aus den billigsten Materialien. Wer ist dieser Mann? Jack Surname George in the Land of Hope and Glory ist sein Name \u2013 und er ist der Protagonist von \u201eOffshore\u201c, dem neuen Album von Nadeem Din-Gabisi. Eine Art Alter Ego des Londoner Musikers, Rappers und Dichters, und seine Art, die eigene Ambivalenz zu seinem sogenannten Heimatland zu erforschen. \u201eOffshore\u201c ist zwar nicht der erste Langspieler des K\u00fcnstlers \u2013 2022 erschien bereits das Album-Projekt \u201ePool<\/a>\u201c \u2013, aber nach offizieller Lesart das Deb\u00fctalbum.<\/p>\n

\u201eJack\u201c liebt und hasst England. Genau wie ein Fu\u00dfballfan seinen Verein, wie Din-Gabisi erkl\u00e4rt. Er will dieses Land bluten sehen, f\u00fcr all den Verrat ihm und seinen Vorfahren gegen\u00fcber. Und er f\u00fchlt sich ihm gleichzeitig verbunden, nachdem er und seine Ahn*innen so sehr daf\u00fcr geblutet haben. Frei nach \u201eEngland is mine, and it owes me a living\u201c (The Smiths) geht Din-Gabisi, Sohn sierra-leonischer Eltern, noch einen Schritt weiter: \u201eEngland is mine, and it owes me a place, plot, land\u201c, sprechsingt er in \u201eB Happy<\/a>\u201c. Die wehleidigen Worte des gerne mit dem politischen Rechtsau\u00dfen flirtenden<\/a> Morrissey werden in ein postkoloniales Manifest verwandelt.<\/p>\n

Postkoloniale Ambivalenzen<\/strong><\/h4>\n

Im selben Lied rappt Din-Gabisi \u00fcber blutr\u00fcnstige Politiker*innen an der Spitze dieses Landes, die erst gl\u00fccklich sein werden, wenn alles in Flammen steht. \u201eOffshore\u201c ist, dem Thema entsprechend, ein \u00fcberaus gespaltenes Album. Post-Punk-Riffs tanzen mit Afrobeats, elegische Streicher streicheln Grime-B\u00e4sse. W\u00fctende Momente wie in \u201eB Happy\u201c gehen Hand in Hand mit ruhigen, bedachten Songs wie dem zarten R&B-Duett \u201eShade\u201c mit der Londoner S\u00e4ngerin Tara Cunningham. \u201eNew Wave\u201c ist eine federleichte, nun ja, New-Wave-Exkursion, w\u00e4hrend das finster groovende \u201ePub Lunch\u201c (mit Gastgesang von Coby Sey) sehr gut als Aufputsch-Musik f\u00fcr eine anstehende Schl\u00e4gerei dienen k\u00f6nnte.<\/p>\n

In der Ambient und Afro-Pop kombinierenden Ballade \u201eIcey\u201c feiert Din-Gabisi seine Ahnen, w\u00e4hrend er in \u201eEnter Claim\u201c den harten Status quo beschreibt \u2013 und m\u00f6gliche Auswege zeigt: \u201eWon’t die in the concrete \/ Not my fate got plans for tropics and planting \/ Far way from capitalist hardening.\u201c Das ist nat\u00fcrlich leichter gesagt als getan. Din-Gabisi findet auf \u201eOffshore\u201c keine einfachen Antworten f\u00fcr die gegenl\u00e4ufigen Impulse seines Protagonisten. Stattdessen zeigt er die Komplexit\u00e4t seiner Ambivalenzen \u2013 und findet in jedem Widerspruch Kraft oder Sch\u00f6nheit. Und manchmal beides gleichzeitig.<\/p>\n

Ver\u00f6ffentlichung: 1. August 2025
\nLabel: Moshi Moshi Records<\/p>\n

https:\/\/www.youtube.com\/embed\/ShID3k_r2js?si=FHAUEup8hJ_cDFJY<\/a><\/div>\n

\"Bild<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Auf seiner neuen LP \u201eOffshore\u201c verarbeitet der Londoner Rapper und S\u00e4nger Nadeem Din-Gabisi postkoloniale Ambivalenzen \u2013 und findet Kraft und Sch\u00f6nheit im Widerspruch. Das ByteFM Album der Woche!<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10089,19],"tags":[12336,5262,11370,20328,20345,20356,7447],"class_list":["post-153343","post","type-post","status-publish","format-standard","hentry","category-alben-der-woche","category-rezensionen","tag-coby-sey","tag-morrissey","tag-moshi-moshi","tag-nadeem-din-gabisi","tag-offshore","tag-tara-cunningham","tag-the-smiths"],"acf":[],"yoast_head":"\nNadeem Din-Gabisi \u2013 \u201eOffshore\u201c (Album der Woche) – ByteFM<\/title>\n<meta name=\"description\" content=\"Auf seiner neuen LP \u201eOffshore\u201c verarbeitet der Londoner Rapper und S\u00e4nger Nadeem Din-Gabisi postkoloniale Ambivalenzen.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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