{"id":63695,"date":"2016-04-22T18:09:30","date_gmt":"2016-04-22T16:09:30","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=63695"},"modified":"2016-04-28T18:36:41","modified_gmt":"2016-04-28T16:36:41","slug":"suuns-rezension","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/news\/suuns-rezension-63695\/","title":{"rendered":"Suuns – \u201eHold\/Still\u201c (Rezension)"},"content":{"rendered":"

\"CoverSuuns – „Hold\/Still“ (Secretly Canadian)<\/span><\/p>\n

6,0<\/strong><\/span><\/p>\n

Selten findet ein akustischer, ein organischer Klang in reiner Form auf Alben von Suuns<\/a>. Ohne elektronische Manipulation geht es bei der Band aus Montreal nicht, sagt Schlagzeuger Liam O\u2019Neill. Das letzte Album „Images Du Futur“ aus dem Jahr 2013 ist ein Zeugnis dessen. Auf „Hold\/Still“ bricht sich das Manipulative nun noch st\u00e4rker Bahn. War Unruhe beim Vorg\u00e4nger lediglich eines von vielen Stilmitteln, ist sie jetzt Programm. Suuns geben dem Ungewissen Raum.<\/p>\n

Straightness ist mit Suuns einfach nicht zu machen. Unpassend w\u00e4re es, zu sagen, dass sich „Hold\/Still“ auf Pfaden oder Bahnen bewegt. Das lichtarme, elektronisch gepr\u00e4gte Soundgebilde wirkt wie eine ungeformte Masse, die in alle Richtungen strebt. Ihr Puls erinnert mal an die Brutalit\u00e4t von Industrial-Beats („Fall“), mal an den glitchy Techno von Andy Stott. Daf\u00fcr zeichnen die Synthesizer von Max Henry verantwortlich. Er ist der \u00dcberzeugung, das HiFi-Technik das kreative Spielfeld der Band einschr\u00e4nkt. Henry setzt auf angeschlagene Technik und selbst gebaute Patches.<\/p>\n

Strukturell bleibt aber Gitarrenmusik der Hintergrund, vor dem Suuns spielen. Der Entropie wird sich hier und da noch im Songformat angenommen. Zum Beispiel im beunruhigend ruhigen „Nobody Can Save Me Now“, in dem sich die verzerrte Karikatur eines Gitarrensolos mit dem monotonen Gesang von Ben Shemie ein halb ernst gemeintes Duell liefert. In \u00e4hnlicher Stimmung befindet sich „UN-NO“, in dem kakofone Sirenen versuchen, die Oberhand zu gewinnen. Viele Songs klingen hingegen wie Skizzen f\u00fcr d\u00fcstere Clubtracks: das repetitive „Resistance“ etwa, oder „Careful“, das an manch englischen Post-Dubstep-Track denken l\u00e4sst.<\/p>\n

Strukturell geht also einiges auf „Hold\/Still“, aber der Gesamteindruck ist der von Zerfaserung. Suuns schaffen es, die gleiche diffuse, d\u00fcstere Stimmung \u00fcber verschieden geartete Arrangements zu transportieren. Doch dabei stellt sich Dr\u00f6gheit ein. Die Spannung wird st\u00e4ndig gehalten, sie findet jedoch keinen \u00fcberraschenden Punkt, mit Ausnahme des wuchernden Krautrocktst\u00fccks „Translate“.<\/p>\n

Label: Secretly Canadian<\/a><\/p>\n

Suuns live, pr\u00e4sentiert von ByteFM:<\/p>\n

19.05.16 Berlin – Berghain
\n27.05.16 Neustrelitz – Immergut Festival
\n05.06.16 Mannheim – Maifeld Derby Festival
\n05.07.16 M\u00fcnchen – Feierwerk<\/p>\n

https:\/\/www.youtube.com\/embed\/CBbLPGVIQ-o<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Auf \u201eHold\/Still\u201c zelebrieren Suuns das Ungewisse. Gitarre, Bass und Drums werden durch Effekte gejagt, verfremdet, mit Glitches durchsetzt. Klassische Songstrukturen machen Platz f\u00fcr repetitive, technoide Arrangements.<\/p>\n","protected":false},"author":69,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3,19],"tags":[10115,10106,10113,10114,50,484,6524,7057],"class_list":["post-63695","post","type-post","status-publish","format-standard","hentry","category-news","category-rezensionen","tag-ben-shemie","tag-holdstill","tag-liam-oneill","tag-max-henry","tag-neuerscheinungen-der-woche","tag-rezension","tag-secretly-canadian","tag-suuns"],"acf":[],"yoast_head":"\nSuuns - \u201eHold\/Still\u201c (Rezension) – ByteFM<\/title>\n<meta name=\"description\" content=\"Auf "Hold\/Still" zelebrieren Suuns das Ungewisse. 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