{"id":64133,"date":"2016-05-13T17:13:49","date_gmt":"2016-05-13T15:13:49","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=64133"},"modified":"2016-05-13T17:13:49","modified_gmt":"2016-05-13T15:13:49","slug":"kaytranada-99-9-rezension","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/","title":{"rendered":"Kaytranada – \u201e99.9%\u201c (Rezension)"},"content":{"rendered":"

\"CoverKaytranada – „99.9%“ (XL Recordings)<\/span><\/p>\n

Kaytranada war bereits ein Star, noch bevor er ein Album aufgenommen hatte. Zumindest in der sch\u00f6nen neuen Soundcloud-Welt, in der man nur gen\u00fcgend Follower braucht, um gut bezahlte DJ-Gigs zu bekommen. Doch der junge Producer aus Montreal wollte nicht weiter mit anderen Internet-Sensationen um die Welt reisen. Er wollte im Keller seiner Eltern ein Album machen und seinen gro\u00dfen Helden nacheifern: Madlib und J Dilla, den Neptunes und A Tribe Called Quest.<\/p>\n

„99.9%“ ist dieses Album, das Kaytranada in den letzten zwei Jahren f\u00fcr das prestigetr\u00e4chtige britische XL-Label produziert hat. Es bringt alle Sounds zusammen, die Kaytranada offensichtlich liebt: metallischen R&B und melodi\u00f6sen NeoSoul, sonnendurchfluteten House, kantigen Boombap mit Jazz-Einschlag. Die Feature-G\u00e4ste auf „99.9%“ geben Aufschluss \u00fcber die musikalische Sozialisation (Craig David, Karriem Riggins, Phonte von Little Brother), aber auch \u00fcber die Ambitionen im Hier und Jetzt (Goldlink, Anderson .Paak, Syd von The Internet). <\/p>\n

Um diese Platte im Club spielen zu k\u00f6nnen, ist sie eigentlich zu wenig druckvoll gemischt. Kaytranada sagte, er habe das Album bewusst so klingen lassen wollen wie die Prince- und Michael-Jackson-Demos, die er so gerne h\u00f6rt. Tats\u00e4chlich zeigt sich gerade hier, dass er ein waschechter Madlib-Sch\u00fcler ist. Das schnoddrige LoFi-Sound-Design verleiht dem Album eine angenehme Unperfektheit und grenzt es deutlich vom hochgez\u00fcchteten EDM-Trap ab.<\/p>\n

Kaytranadas Produktionen sind durchsetzt von raffinierten Ideen, die manchmal disparat erscheinen: Staubige Drums treffen auf Sub-B\u00e4sse, Tropicalia-Samples auf House-Beats, analoge Synthies auf stolpernde Jazz-Breaks. Sogar ein Ausflug in die Boogie- und Electro-\u00c4ra der fr\u00fchen 1980er-Jahre ist dabei („Breakdance Lesson N.1“). Vor allem beweist Kaytranada, dass er nicht nur tanzbare Club-Edits aus alten R&B- und HipHop-St\u00fccken<\/a> basteln, sondern auch echte, eigene Songs schreiben kann.<\/p>\n

Auf vielen St\u00fccken von „99.9%“ wird gerappt, gesungen oder beides, doch w\u00fcrde man es kaum als Rap- oder R&B-Album bezeichnen. Mehrere Tracks zielen mit gerader Bassdrum direkt auf den Dancefloor, aber es ist auch keine Club-Platte. Stattdessen hat Kaytranada genau das richtige getan: seine Einfl\u00fcsse zusammengebracht und ein Deb\u00fct kuratiert, das all seinen musikalischen Vorlieben gerecht wird und dank eigener Handschrift trotzdem nicht zusammengew\u00fcrfelt klingt – ein Album eben, das im Ergebnis nur dieser 23-j\u00e4hrige, haitianisch-st\u00e4mmige, schwule Kanadier machen konnte.<\/p>\n

Ein schillerndes, unpr\u00e4tenti\u00f6ses, wundersch\u00f6nes Album.<\/p>\n

https:\/\/player.vimeo.com\/video\/162003885?color=00ffff&title=0&byline=0&portrait=0<\/a><\/div>
\nKaytranada feat. Anderson .Paak \/\/ Glowed Up<\/a> from Bo Mirosseni<\/a> on Vimeo<\/a>.<\/span><\/p>\n
https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/252508506&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Kaytranada hat auf seinem Deb\u00fctalbum \u201e99.9%\u201c genau das Richtige getan: all seine Einfl\u00fcsse zusammengebracht und ein Tracklisting kuratiert, das all seinen musikalischen Ans\u00e4tzen gerecht wird und dank seiner Handschrift trotzdem nicht zusammengew\u00fcrfelt klingt.<\/p>\n","protected":false},"author":111,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3,19],"tags":[1081,9743,10176,10178,4302,50,9277,484,10177,9585],"class_list":["post-64133","post","type-post","status-publish","format-standard","hentry","category-news","category-rezensionen","tag-alunageorge","tag-anderson-paak","tag-craig-david","tag-karriem-riggins","tag-kaytranada","tag-neuerscheinungen-der-woche","tag-platten","tag-rezension","tag-river-tiber","tag-vic-mensa"],"acf":[],"yoast_head":"\nKaytranada - \u201e99.9%\u201c (Rezension) – ByteFM<\/title>\n<meta name=\"description\" content=\"Kaytranada bringt auf seinem Deb\u00fctalbum "99.9%" all seine musikalischen Einfl\u00fcsse zusammen, von HipHop \u00fcber R&B und Jazz bis House.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kaytranada - \u201e99.9%\u201c (Rezension) – ByteFM\" \/>\n<meta property=\"og:description\" content=\"Kaytranada bringt auf seinem Deb\u00fctalbum "99.9%" all seine musikalischen Einfl\u00fcsse zusammen, von HipHop \u00fcber R&B und Jazz bis House.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/\" \/>\n<meta property=\"og:site_name\" content=\"ByteFM Blog \u2013 News und Rezensionen aus unserer Redaktion\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bytefm\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-13T15:13:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.byte.fm\/blog\/wp-content\/uploads\/2016\/05\/KAYTRANADA-99.9-410x410.jpg\" \/>\n<meta name=\"author\" content=\"Stephan Szillus\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@bytefm\" \/>\n<meta name=\"twitter:site\" content=\"@bytefm\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Stephan Szillus\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"2\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/\"},\"author\":{\"name\":\"Stephan Szillus\",\"@id\":\"https:\/\/www.byte.fm\/blog\/#\/schema\/person\/01b7a2886cc67cad8d16b1e31075966d\"},\"headline\":\"Kaytranada – \u201e99.9%\u201c (Rezension)\",\"datePublished\":\"2016-05-13T15:13:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/\"},\"wordCount\":400,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.byte.fm\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.byte.fm\/blog\/wp-content\/uploads\/2016\/05\/KAYTRANADA-99.9-410x410.jpg\",\"keywords\":[\"AlunaGeorge\",\"Anderson .Paak\",\"Craig David\",\"Karriem Riggins\",\"Kaytranada\",\"Neuerscheinungen\",\"Platten\",\"Rezension\",\"River Tiber\",\"Vic Mensa\"],\"articleSection\":[\"News\",\"Rezensionen\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/\",\"url\":\"https:\/\/www.byte.fm\/blog\/news\/kaytranada-99-9-rezension-64133\/\",\"name\":\"Kaytranada - 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