{"id":64596,"date":"2016-06-10T11:13:58","date_gmt":"2016-06-10T09:13:58","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=64596"},"modified":"2016-06-13T18:19:07","modified_gmt":"2016-06-13T16:19:07","slug":"max-graef-glenn-astro-the-yard-work-simulator","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/news\/max-graef-glenn-astro-the-yard-work-simulator-64596\/","title":{"rendered":"Max Graef &#038; Glenn Astro: zwischen allen St\u00fchlen"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.byte.fm\/blog\/wp-content\/uploads\/2016\/06\/Max_Graef_Glenn_Astro_885x410.png\" alt=\"Foto von Max Graef und Glenn Astro\" title=\"Max Graef &#038; Glenn Astro (Foto: Maximilian Virgili)\"\/><span style=\"font-size: 0.75em;\">Max Graef &#038; Glenn Astro (Foto: Maximilian Virgili)<\/span><\/p>\n<p>Max Graef und Glenn Astro f\u00fchren eine junge Bewegung im musikalischen Untergrund zwischen K\u00f6ln und Berlin an: Dazu geh\u00f6ren ehemalige HipHop-Produzenten wie Hodini (alias Hulk Hodn) oder Twit One, die schon l\u00e4nger mit gerader Bassdrum und angezogenem Tempo experimentieren, aber auch jemand wie Damiano von Erckert, der auf seinem Label Ava eine spannende Mischung aus Afro- und Deep-House, Disco und HipHop pr\u00e4sentiert. Mit &#8222;The Yard Work Simulator&#8220; haben Graef und Astro nun ein gemeinsames Album beim denkbar passendsten Label f\u00fcr Zwischen-den-St\u00fchlen-Musik ver\u00f6ffentlicht: Ninja Tune.<\/p>\n<p>&#8222;Wir wollten ein Club-Album machen, aber gleichzeitig den Begriff erweitern&#8220;, so Graef. &#8222;Wir haben aber schon dar\u00fcber nachgedacht, wie bestimmte Tracks in einem DJ-Set wirken w\u00fcrden. Der Gedanke war oft: <em>Das<\/em> sollte man mal probieren aufzulegen!&#8220; &#8222;Genau&#8220;, lacht Astro. &#8222;Vielleicht traut sich ja jemand, <em>das<\/em> zu spielen.&#8220; So lie\u00dfen sich die beiden Plattensammler in der Produktionsphase von osteurop\u00e4ischer Jazz Fusion, Detroit House oder alten Timbaland-Produktionen inspirieren. In einem Moment h\u00f6rt man dreckigen Techno, der an Kyle Hall erinnert, im n\u00e4chsten Moment k\u00f6nnten die Rhodes-Akkorde direkt von der &#8222;Polish Jazz&#8220;-Reihe stammen. Es geht nicht um hochgez\u00fcchtete, funktionale Club-Tracks, sondern um Experimente in einem Spannungsfeld zwischen 110 und 135 BPM &#8211; zu schnell f\u00fcr zeitgen\u00f6ssischen HipHop, aber auch zu langsam und an der 4\/4-Drum orientiert, um als Bassmusik durchzugehen.<\/p>\n<p>F\u00fcr eine klare Linie ist ihre Sozialisation einfach zu vielschichtig: Glenn Astro wuchs auf den HipHop-Jams im Ruhrgebiet auf, doch h\u00f6rte bald lieber Nightmares On Wax und DJ Vadim als Creutzfeld &#038; Jakob und RAG. Max Graef spielte 11 Jahre lang Jazz-Schlagzeug, &#8222;obwohl ich \u00fcberhaupt kein Talent daf\u00fcr habe.&#8220; Als House-Produzent bewegte er sich im Umfeld des Oye-Plattenladens und gr\u00fcndete mit Freunden das Label Box aus Holz. Anfang 2013 lernten sich Astro und Graef \u00fcber Soundcloud kennen, gemeinsam betreiben sie mit einigem Erfolg inzwischen das unabh\u00e4ngige Vinyl-Label Money $ex Records. Auch wenn die meisten Projekte auf Money $ex bisher in die House-Richtung gingen, bleiben Graef und Astro stilistisch offen. &#8222;Die ersten Releases waren zwar relativ straight, aber das wird auf jeden Fall noch anders&#8220;, so Astro. &#8222;Musikalisch geht es von Techno bis Jazz.&#8220;<\/p>\n<p>Nicht nur ihr progressiver Ansatz unterscheidet Graef und Astro von eher klassisch orientierten Kollegen, sondern auch ihre LoFi-Sound\u00e4sthetik. Diese entstehe aber nicht bewusst als Gegenentwurf, sondern als logische Konsequenz aus mangelhaftem Equipment, so Graef: &#8222;Das liegt prim\u00e4r an den Sachen, die wir haben. Dieser ganze billige Schei\u00df. Da ist st\u00e4ndig irgendwo Wackelkontakt. Bei uns herrscht einfach eine gewisse Egalhaltung dem HiFi-Industrie-Standard gegen\u00fcber. Die interessanten Platten sind ja meistens die, die billig aufgenommen wurden, weil die Musiker nur wenig Geld f\u00fcr die Produktion hatten. Momentan bin ich total interessiert an alten t\u00fcrkischen Platten, f\u00fcr die sich die Musiker sogar ihre Synthesizer selbst gebaut haben. Aber die haben sich nicht gedacht: Wir machen jetzt mal was, was geil billig klingt. Die haben es einfach nur mit ihren Mitteln versucht.&#8220;<\/p>\n<div data-code=\"&lt;iframe loading=&quot;lazy&quot; width=&quot;100%&quot; height=&quot;450&quot; scrolling=&quot;no&quot; frameborder=&quot;no&quot; src=&quot;https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/256477787&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true&quot;&gt;&lt;\/iframe&gt;\" data-esccode=\"PGlmcmFtZSBsb2FkaW5nPSJsYXp5IiB3aWR0aD0iMTAwJSIgaGVpZ2h0PSI0NTAiIHNjcm9sbGluZz0ibm8iIGZyYW1lYm9yZGVyPSJubyIgc3JjPSJodHRwczovL3cuc291bmRjbG91ZC5jb20vcGxheWVyLz91cmw9aHR0cHMlM0EvL2FwaS5zb3VuZGNsb3VkLmNvbS90cmFja3MvMjU2NDc3Nzg3JmFtcDthdXRvX3BsYXk9ZmFsc2UmYW1wO2hpZGVfcmVsYXRlZD1mYWxzZSZhbXA7c2hvd19jb21tZW50cz10cnVlJmFtcDtzaG93X3VzZXI9dHJ1ZSZhbXA7c2hvd19yZXBvc3RzPWZhbHNlJmFtcDt2aXN1YWw9dHJ1ZSI+PC9pZnJhbWU+\" data-src-host=\"w.soundcloud.com\" class=\"embed-wrap\"><a href=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/256477787&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\">https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/256477787&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Max Graef und Glenn Astro f\u00fchren eine relativ junge Bewegung im musikalischen Untergrund zwischen K\u00f6ln und Berlin an. Mit \u201eThe Yard Work Simulator\u201c haben Graef und Astro nun ein gemeinsames Album beim denkbar passendsten Label f\u00fcr Zwischen-den-St\u00fchlen-Musik ver\u00f6ffentlicht: Ninja Tune.<\/p>\n","protected":false},"author":111,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[10270,9130,10268,10269,90],"class_list":["post-64596","post","type-post","status-publish","format-standard","hentry","category-news","tag-deep-house","tag-glenn-astro","tag-max-graef","tag-money-sex","tag-ninja-tune"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Max Graef &amp; Glenn Astro: zwischen allen St\u00fchlen &#8211; ByteFM<\/title>\n<meta name=\"description\" content=\"Mit &quot;The Yard Work Simulator&quot; haben Max Graef und Glenn Astro ein Album beim passendsten Label f\u00fcr Zwischen-den-St\u00fchlen-Musik ver\u00f6ffentlicht: Ninja Tune.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.byte.fm\/blog\/news\/max-graef-glenn-astro-the-yard-work-simulator-64596\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Max Graef &amp; Glenn Astro: zwischen allen St\u00fchlen &#8211; ByteFM\" \/>\n<meta property=\"og:description\" content=\"Mit &quot;The Yard Work Simulator&quot; haben Max Graef und Glenn Astro ein Album beim passendsten Label f\u00fcr Zwischen-den-St\u00fchlen-Musik ver\u00f6ffentlicht: Ninja Tune.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.byte.fm\/blog\/news\/max-graef-glenn-astro-the-yard-work-simulator-64596\/\" \/>\n<meta property=\"og:site_name\" content=\"ByteFM Blog \u2013 News und Rezensionen aus unserer Redaktion\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bytefm\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-06-10T09:13:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-06-13T16:19:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.byte.fm\/blog\/wp-content\/uploads\/2016\/06\/Max_Graef_Glenn_Astro_885x410.png\" \/>\n<meta name=\"author\" content=\"Stephan Szillus\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@bytefm\" \/>\n<meta name=\"twitter:site\" content=\"@bytefm\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Stephan Szillus\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"3\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.byte.fm\/blog\/news\/max-graef-glenn-astro-the-yard-work-simulator-64596\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.byte.fm\/blog\/news\/max-graef-glenn-astro-the-yard-work-simulator-64596\/\"},\"author\":{\"name\":\"Stephan Szillus\",\"@id\":\"https:\/\/www.byte.fm\/blog\/#\/schema\/person\/01b7a2886cc67cad8d16b1e31075966d\"},\"headline\":\"Max Graef &#038; 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