{"id":69830,"date":"2017-04-29T12:21:52","date_gmt":"2017-04-29T10:21:52","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/redaktion\/arca-arca-rezension-copy-69830\/"},"modified":"2017-05-01T14:17:30","modified_gmt":"2017-05-01T12:17:30","slug":"gorillaz-humanz-rezension","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/news\/gorillaz-humanz-rezension-69830\/","title":{"rendered":"Gorillaz – \u201eHumanz\u201c (Rezension)"},"content":{"rendered":"

\"CoverGorillaz – \u201eHumanz\u201c (Parlophone)<\/span><\/p>\n

Ver\u00f6ffentlichung: 28. April 2017
\nWeb: www.gorillaz.com<\/a>
\nLabel: Parlophone<\/a><\/p>\n

8,0<\/strong><\/span><\/p>\n

Dystopien begleiten Gorillaz seit ihren ersten Songs. Das Video zu „Clint Eastwood“<\/a>, ihrem Hit von 2001, leitet ein Zitat aus dem Zombiefilm-Klassiker „Dawn Of The Dead“ ein: „Every dead body that is not exterminated, gets up and kills. The people it kills, get up and kill.“ Auch „Feel Good Inc.“<\/a> von ihrem zweiten Album „Demon Days“ wurde 2005 d\u00fcster bebildert, erinnert an den Roman „High-Rise“ von J. G. Ballard: \u00dcber den Wolken spielt die Band – kaputte N\u00e4gel, fehlende Z\u00e4hne, seelenlose Augen – auf einer Party, die l\u00e4ngst \u00fcber ihren H\u00f6hepunkt hinaus ist. Vor den Fenstern zieht die Vision einer unschuldigen, einfacheren Welt vorbei. <\/p>\n

Mit „Humanz“ setzen Musiker Damon Albarn und K\u00fcnstler Jamie Hewlett ihrer Kollaboration die Krone auf. Zwischenzeitlich sah es so aus, als w\u00e4ren Gorillaz – die von Hewlett animierte Comicband, die Albarn mit Songs zu Leben erweckt – gestorben. Es gab Differenzen, aber die beseitigten die beiden bei einer Weihnachtsfeier im Jahr 2014. In den zwei Jahren, die folgten, entstand „Humanz“. Damon Albarn zufolge dreht sich das Album um „Schmerz, Freude und Dringlichkeit“. Tiefstaplerei m\u00f6chte man meinen, denn die 26 Tracks – die man getrost als genre\u00fcbergreifend bezeichnen kann (R&B, Electronica, Indierock, TripHop, alles dabei) – erz\u00e4hlen sehr viel mehr.<\/p>\n

Und f\u00fcr diese Erz\u00e4hlung hat sich Damon Albarn eine Menge an K\u00fcnstlerinnen und K\u00fcnstlern mit gro\u00dfem Renommee herangeholt: F\u00fcr den angriffslustigen Song „Charger“ improvisierte die Disco-Ikone Grace Jones vier Stunden lang Vocals \u00fcber ein gelooptes Heavy Metal-Riff. Das avantgardistische R&B-Talent Kelela<\/a> dominiert den geschmeidig treibenden Track „Submission“. Rapper Danny Brown mischt den selben Song in der Mitte mit ein paar wilden Bars auf. Damon Albarn wei\u00df genau, wen er braucht, um seine Vision richtig umzusetzen. Einige hochkar\u00e4tige Kollaborationen wurden im Nachhinein wieder gestrichen, weil sie nicht zu „Humanz“ passten. Ebenso wie jegliche Referenz auf Donald Trump.<\/p>\n

Dabei hat die Vorstellung, dass Trump wirklich US-Pr\u00e4sident werden w\u00fcrde, den Ansto\u00df zu „Humanz“ gegeben. Die Promo-Terminsetzung l\u00e4sst an einem Zusammenhang keine Zweifel aufkommen: Das Album erscheint zum Ende seiner ersten 100 Tage im Amt. Aber Trump hat schon so genug Fame, findet Damon Albarn. Und \u00fcberhaupt, dystopische Szenarien gibt es auch abseits der Trump’schen Reality-Satire. Viele davon blitzen im Video zu „Hallelujah Money“ auf, das am Tag der Vereidigung des US-Pr\u00e4sidenten erschien. W\u00e4hrend Benjamin Clementine den elegischen Blues singt, sehen wir im Hintergrund George Orwells „Animal Farm“ und KKK-J\u00fcnger.<\/p>\n

Ein Blitzschlag von Wahrheit im Finstern der Nacht („A lightning bolt of truth in a black night“) – so haben Gorillaz diesen Song angek\u00fcndigt, und dieser Anspruch steckt auch hinter „Humanz“. Ein irres Vorhaben, aber Damon Albarn und Jamie Hewlett meistern ihre Vision mit diesem Album. <\/p>\n

https:\/\/www.youtube.com\/embed\/CDUrpPvU1_4?rel=0<\/a><\/div>\n
https:\/\/www.youtube.com\/embed\/lVaBvyzuypw?rel=0<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Mit „Humanz“ meistern Gorillaz ihre dystopischen Visionen. \u00dcber 26 Tracks streift die von Damon Albarn und Jamie Hewlett konzipierte Band dabei R’n’B, TripHop und Indierock. Mit dabei sind u. a. Grace Jones, Mavis Staples, Kelela und Danny Brown.<\/p>\n","protected":false},"author":69,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3,19],"tags":[9667,1662,456,2353,3427,11019,11021,405,50,10350,9277,484],"class_list":["post-69830","post","type-post","status-publish","format-standard","hentry","category-news","category-rezensionen","tag-benjamin-clementine","tag-blur","tag-damon-albarn","tag-danny-brown","tag-gorillaz","tag-humanz","tag-jamie-hewlett","tag-kelela","tag-neuerscheinungen-der-woche","tag-parlophone","tag-platten","tag-rezension"],"acf":[],"yoast_head":"\nGorillaz - \u201eHumanz\u201c (Rezension) – ByteFM<\/title>\n<meta name=\"description\" content=\"Mit "Humanz" meistern Gorillaz ihre dystopische Vision. 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