{"id":72618,"date":"2017-09-04T07:23:16","date_gmt":"2017-09-04T05:23:16","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=72618"},"modified":"2017-09-04T16:09:38","modified_gmt":"2017-09-04T14:09:38","slug":"mount-kimbie-love-what-survives-album-der-woche","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/alben-der-woche\/mount-kimbie-love-what-survives-album-der-woche-72618\/","title":{"rendered":"Mount Kimbie – „Love What Survives“ (Album der Woche)"},"content":{"rendered":"

\"CoverMount Kimbie – \u201eLove What Survives\u201c (Warp Records)<\/span><\/p>\n

Sieben lange Jahre sind vergangen, seit ein junges, britisches Electronica-Duo namens Mount Kimbie mit seinem Deb\u00fct \u201eCrooks & Lovers\u201c ein neues Genre definierte: Post-Dubstep. Kai Campos und Dominic Maker haben sich seitdem bei ihren zahlreichen Live-Konzerten immer weiter vom basslastigen Club-Sound Londons in Richtung kunstvoller Pop-Musik bewegt. Aus Tracks wurden mit der Zeit Songs. Mit \u201eLove What Survives\u201c haben Kai Campos und Dominic Maker nun elf h\u00f6chst organische Exemplare geschaffen, auf denen die Grenzen zwischen akustischen und elektronischen Instrumenten flie\u00dfend ineinander \u00fcbergehen. Hier klingen Bl\u00e4ser wie aus Casio-Keyboards und Drumcomputer wie von Menschenhand geschlagen.<\/p>\n

Dabei geben Mount Kimbie ihren Songs sehr viel Zeit zum Atmen: Im Album-Opener \u201eFour Years And A Day\u201c bauen sie in aller Ruhe aus synthetischen Arpeggios weite Sph\u00e4ren auf, bis zur Mitte des Songs ein repetitiver Beat und eine Post-Punk-Bassline langsam Bewegung in das Lied bringen. Das fr\u00fche Highlight \u201eBlue Train Lines\u201c funktioniert ganz \u00e4hnlich: Gasts\u00e4nger Archy Marshall alias King Krule bellt seine paranoid-dringlichen Zeilen \u00fcber einen minimalistischen Klangteppich aus dezenten Synthesizern. Mount Kimbie verstehen es, ihre Features einzusetzen: King Krules einzigartig raue Stimme ben\u00f6tigt gar keine explosiven Instrumentals, um sich tief in Geh\u00f6rg\u00e4ngen festzukrallen. Erst nach zwei Minuten Spannungsaufbau treiben sie den Song mit einem pl\u00f6tzlich einsetzenden, gnadenlos treibenden Lokomotiven-Beat in neue Hemisph\u00e4ren. Ein wahnsinnig intensives St\u00fcck Pop-Musik.<\/p>\n

King Krule ist jedoch nicht die einzige fremde Stimme, die durch \u201eLove What Survives\u201c geistert: In \u201eMarilyn\u201c singt Campos, umgeben von verspielt klimpernden Windspielen, ein vertr\u00e4umtes Duett mit dem britischen Multitalent Mica Levi, besser bekannt als Micachu. Mitglied der Mount-Kimbie-Livebesetzung Andrea Balency untermalt den elektronischen Garage-Rock von \u201eYou Look Certain\u201c mit ihrem bitters\u00fc\u00dfen Gesang. Und der junge Prinz des Alternative-R&Bs und Ex-Post-Dubstep-Kollege James Blake darf gleich zwei Songs seine distinktive Stimme leihen: Zuerst als souliger Crooner in der orgellastigen Vorabsingle \u201eWe Go Home Together\u201c, und dann mit zerbrechlichem Falsett in der das Album abschlie\u00dfenden Ballade \u201eHow We Got By\u201c, die mit hakenschlagender Akkordfolge, pulsierender Bassline und jazzigen Piano-Tupfern einen weiteren H\u00f6hepunkt des Albums darstellt. <\/p>\n

Doch auch ohne Gasts\u00e4ngerInnen k\u00f6nnen Mount Kimbie gro\u00dfe Musik basteln: \u201eAudition\u201c erinnert mit seinem krautigem Post-Rock an fr\u00fche Tortoise-Alben, \u201ePoison\u201c an die impressionistischen Klavierst\u00fccke von Aphex Twins Doppelalbum \u201eDrukqs\u201c. Und \u201eT.A.M.E.D.\u201c l\u00e4sst sich als ein st\u00e4ndig stolpernder Wiener Walzer bezeichnen, der durch Campos getragenen Gesang trotzdem ein gro\u00dfes Ma\u00df an Grazie beweist. Es sind diese windschiefen Momente, die \u201eLove What Survives\u201c zu einem spannenden Album machen. Unter den vielen Synthesizer-Schichten und den elektronischen Klangfl\u00e4chen haben Mount Kimbie organische Pop-Songs versteckt, die nur darauf warten, entdeckt zu werden. <\/p>\n

Ver\u00f6ffentlichung: 9. September 2017
\nLabel: Warp Records<\/a><\/p>\n

https:\/\/www.youtube.com\/embed\/VjSKEyR2vDo<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Das britische Electronica-Duo Mount Kimbie hat sich seit seinem Deb\u00fct \u201eCrooks & Lovers\u201c immer weiter vom basslastigen Club-Sound Londons in Richtung kunstvolle Pop-Musik bewegt. Der vorl\u00e4ufige H\u00f6hepunkt dieser Entwicklung ist das neue Album „Love What Survives“.<\/p>\n","protected":false},"author":3,"featured_media":72616,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10089,3,19],"tags":[5,205,3953,4362,11460,11459,5277,222],"class_list":["post-72618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alben-der-woche","category-news","category-rezensionen","tag-album-der-woche","tag-aphex-twin","tag-james-blake","tag-king-krule","tag-love-what-survives","tag-micachu","tag-mount-kimbie","tag-warp-records"],"acf":[],"yoast_head":"\nMount Kimbie - "Love What Survives" (Album der Woche) – ByteFM<\/title>\n<meta name=\"description\" content=\"Mit ihrem dritten Album bewegen sich Mount Kimbie weiter in Richtung kunstvolle Pop-Musik. 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