{"id":73784,"date":"2017-10-23T00:00:42","date_gmt":"2017-10-22T22:00:42","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=73784"},"modified":"2017-10-22T18:02:16","modified_gmt":"2017-10-22T16:02:16","slug":"john-maus-screen-memories-album-der-woche","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/alben-der-woche\/john-maus-screen-memories-album-der-woche-73784\/","title":{"rendered":"John Maus – „Screen Memories“ (Album der Woche)"},"content":{"rendered":"

\"ScreenJohn Maus – „Screen Memories“ (Ribbon Music)<\/span><\/p>\n

F\u00fcr einen Menschen, der sein letztes Album \u2013 frei nach einem gro\u00dfspurigen Zitat des franz\u00f6sischen Philosophen Alain Badiou \u2013 \u201eWe Must Become The Pitiless Censors Of Ourselves\u201c<\/a> betitelt hat, ist John Maus ein sich erstaunlich wenig ernst nehmender Typ. Der US-amerikanische Chef-Intellektuelle des Synth-Pop ist zwar Doktor der Philosophie und Connaisseur der Renaissance-Polyphonie, aber auch selbstironischer Pop-Entertainer, der seine Konzerte als punkig-chaotische Karaoke-Shows gestaltet. Auf seinem vierten Album \u201eScreen Memories\u201c demonstriert Maus erneut, was ihm vom 80er-Jahre-Nostalgie-Einheitsbrei absetzt: Sein spitzfindiges Melodien-Gesp\u00fcr und sein Humor \u2013 der so trocken wie seine motorisch-statischen Beats ist.<\/p>\n

Dabei beginnt das Album mit einem d\u00fcsteren Thema \u2013 der Apokalypse: In \u201eThe Combine\u201c sieht Maus einen alles vernichtenden M\u00e4hdrescher bedrohlich n\u00e4herkommen. Diese Endzeit-Vision orchestriert er mit einem angemessen epischem Klangfeuerwerk: Synthetische Streicher und Bl\u00e4ser verschmelzen zu Bombast \u00e0 la Hans Zimmer. Unter ihnen pulsieren stoisch die omnipr\u00e4senten Drum-Computer \u2013 und bieten einen angenehmen Kontrast zur \u00fcberbordenden Emotionalit\u00e4t des Arrangements.<\/p>\n

\u201eThe Combine\u201c findet die Absurdit\u00e4t im Bombast \u2013 die Vorabsingle \u201eTeenage Witch\u201c findet sie im bizarren Namedropping: W\u00e4hrend die Synthesizer eine verwaschene Hookline spielen, reimt Maus \u201eFor that icy titty\u201c mit \u201eI played in Haunted Graffiti\u201c. Apropos Ariel Pink: Die Garage-Rock-Miniatur \u201eFind Out\u201c h\u00e4tte auch auf dessen neustes Album \u201eDedicated To Bobby Jameson\u201c<\/a> passen k\u00f6nnen. Die beiden Pop-Exzentriker Pink und Maus verbindet eine langj\u00e4hrige Freundschaft und Zusammenarbeit. So ist zum Beispiel Ersterer auch Co-Autor des Songs \u201eBombs Away\u201c, der zum Abschluss des Albums Motor-Drums in eine melancholischere Richtung lenkt. <\/p>\n

Maus erlaubt sich auf \u201eScreen Memories\u201c noch viele weitere kleine Scherze, wie ein verschmitztes \u201eYou dirty fucker\u201c oder eine prollige Football-Metapher \u00fcber einem depressiven New-Order-Beat. Gl\u00fccklicherweise hat er bei all dem Zwinkern nicht vergessen, tats\u00e4chlich packende Pop-Songs zu schreiben: So kombiniert er im irrwitzigen \u201eOver Phantom\u201c in treibenden Post-Punk-Tempo paranoide Gesangs-Synkopen mit polyphonen Synthesizern. Und in \u201eWalls Of Silence\u201c zieht er die tiefen Register seines Gesangs-Organs \u2013 und entfaltet mit nur acht simplen Worten die Intensit\u00e4t eines Ian Curtis. Das ist John Maus‘ gro\u00dfe Kunst: Im ersten Moment m\u00f6chte man schmunzeln, im zweiten ist man seinem Bann verfallen.<\/p>\n

Ver\u00f6ffentlichung: 27. Oktober 2017
\nLabel: Ribbon Music<\/a><\/p>\n

https:\/\/www.youtube.com\/embed\/_kF2-Cr6yX4<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Der Chef-Intellektuelle des Synth-Pop John Maus demonstriert auf seinem vierten Album \u201eScreen Memories\u201c erneut, was ihn vom 80er-Jahre-Nostalgie-Einheitsbrei absetzt: Sein spitzfindiges Gesp\u00fcr f\u00fcr Melodien und sein Humor \u2013 der so trocken ist wie seine motorisch-statischen Beats.<\/p>\n","protected":false},"author":3,"featured_media":73789,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10089,3,19],"tags":[5,114,115,3784,4134,5460],"class_list":["post-73784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alben-der-woche","category-news","category-rezensionen","tag-album-der-woche","tag-ariel-pink","tag-ariel-pinks-haunted-graffiti","tag-ian-curtis","tag-john-maus","tag-new-order"],"acf":[],"yoast_head":"\nJohn Maus - "Screen Memories" (Album der Woche) – ByteFM<\/title>\n<meta name=\"description\" content=\"Auf \u201eScreen Memories\u201c demonstriert John Maus erneut, was ihm vom Synth-Pop-Einheitsbrei absetzt: Seine spitzfindigen Melodien und sein Humor.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.byte.fm\/blog\/alben-der-woche\/john-maus-screen-memories-album-der-woche-73784\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"John Maus - 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