{"id":85095,"date":"2019-01-16T14:51:49","date_gmt":"2019-01-16T13:51:49","guid":{"rendered":"https:\/\/www.byte.fm\/blog\/?p=85095"},"modified":"2019-01-17T16:33:50","modified_gmt":"2019-01-17T15:33:50","slug":"sharon-van-etten-remind-me-tomorrow-rezension","status":"publish","type":"post","link":"https:\/\/www.byte.fm\/blog\/rezensionen\/sharon-van-etten-remind-me-tomorrow-rezension-85095\/","title":{"rendered":"Sharon Van Etten \u2013 \u201eRemind Me Tomorrow\u201c (Rezension)"},"content":{"rendered":"

\"Cover<\/p>\n

Sharon Van Etten \u2013 \u201eRemind Me Tomorrow\u201c (Jagjaguwar)<\/h6>\n

8,0<\/strong><\/span><\/p>\n

Rechts am Bildschirmrand ploppt ein kleines Benachrichtungsfenster auf, es geht um Updates. Sowas wird meistens weggeklickt \u2013 Sharon van Etten macht das auch nicht anders: \u201eRemind Me Tomorrow\u201c hei\u00dft die neue Platte der K\u00fcnstlerin aus New York und trotzdem ist seit ihrem letzten Album etwas mit ihrem Sound passiert.<\/p>\n

Nach vier Platten zwischen Folk und Indie-Rock, Gastvocals auf The Nationals \u201eTrouble Will Find Me\u201c und ausgiebigem Touren war ab 2015 erst mal Pause angesagt. Sich einen Namen als unverzichtbare Stimme im Musikzirkus zu erspielen, forderte seinen Tribut und van Etten widmete sich anderen, neuen Dingen: Psychologie studieren, in der Sci-Fi-Serie \u201eThe OA\u201c schauspielern, in \u201eTwin Peaks\u201c auftreten, den Soundtrack f\u00fcr den Film \u201eStrange Weather\u201c komponieren und Mutter werden. Und pl\u00f6tzlich, sechs Monate nach der Geburt ihres Sohnes, hatte sie genug Songs beisammen, um ein neues Album zu ver\u00f6ffentlichen.<\/p>\n

\u201eRemind Me Tomorrow\u201c beginnt mit einsamen Piano-Akkorden fast genau wie ihr Vorg\u00e4ngeralbum \u201eAre We There\u201c<\/a>. Dann kommt aber ein Break und zum tiefen Bassdrone gesellen sich ein schleppendes Schlagzeug und Hall-getr\u00e4nkte, gezupfte Streicher-Synths. Sp\u00e4testens beim zweiten Track \u201eNo One\u2019s Easy To Love\u201c ist klar: Synthie schl\u00e4gt Gitarre und inspirierende Klangtexturen suchen geht \u00fcber Klampfe umstimmen. Und tats\u00e4chlich ist die Kombination Synths und Sharon van Etten gar nicht so abwegig. Schon 2017 hat die S\u00e4ngerin auf dem Titeltrack des Albums \u201eOmnion\u201c<\/a> von Hercules & Love Affair bewiesen, dass ihre Stimme perfekt \u00e4therische Klangwelten ausf\u00fcllen kann.<\/p>\n

Ein erfrischend hoffnungsvolles Update<\/strong><\/h4>\n

Herzst\u00fccke von \u201eRemind Me Tomorrow\u201c sind die Singles, die wie ein Triptychon die Facetten von Sharon van Ettens Reinkarnation auff\u00e4chern: die punchy-synkopierenden Drums und euphorischen Synth-Linien von \u201eComeback Kid\u201c; der auf einem Synth-Drone aufgebaute und wie Portishead schw\u00fcl-groovende Love-Song \u201eJupiter 4\u201c; und schlie\u00dflich \u201eSeventeen\u201c<\/a>. Letzterer Track ist van Ettens Heimspiel und die emotionale Abrissbirne des Albums. In \u201eSeventeen\u201c wird in bester Patti-Smith-meets-Bruce-Springsteen-Manier gegen die Teenage Angst angesungen, inklusive Ausbruch in der finalen Bridge und Zuspruch f\u00fcr ihr verunsichertes, siebzehnj\u00e4hriges Ich: \u201eI see you so uncomfortably alone \/ I wish I could show you how much you\u2019ve grown.\u201c<\/p>\n

\u201eIch w\u00fcnschte, ich k\u00f6nnte Dir zeigen, wie sehr ich gewachsen bin\u201c \u2013 ihr Wachstum zeigt sich auch in den Texten. Waren fr\u00fcher toxische Beziehungen und pers\u00f6nliche Krisen das Salz in van Ettens Songwriting-Suppe, stehen nun hoffnungsvollere Themen auf der Tageskarte. Denn trotz allem, was gerade in der Welt katastrophal daneben geht, will Sharon van Etten f\u00fcr ihren Sohn ein positives Vorbild sein.<\/p>\n

Und so ist \u201eRemind Me Tomorrow\u201c der klingende Beweis daf\u00fcr, dass trotz des bewussten Aufschiebens von Ver\u00e4nderungen, diese unterschwellig passieren, auch und gerade, wenn einen das Leben mit all seinen Facetten im Griff hat. Das ist eine erfrischend hoffnungsvolle Perspektive. Und wenn die sich wie das leichtf\u00fc\u00dfig Pirouetten drehende \u201eStay\u201c anh\u00f6rt, dann her mit den automatisierten Updates.<\/p>\n

Ver\u00f6ffentlichung: 18. Januar 2019
\nLabel: Jagjaguwar<\/a><\/p>\n

https:\/\/www.youtube.com\/embed\/h4mewwymxbI<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Trotz allem, was gerade katastrophal schief l\u00e4uft in der Welt, will Sharon van Etten ein positives Vorbild sein. Wie das klingen kann, zeigt ihr neues Album \u201eRemind Me Tomorrow\u201c.<\/p>\n","protected":false},"author":133,"featured_media":85098,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3,19],"tags":[11436,12776,377,5968,553,7083],"class_list":["post-85095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-rezensionen","tag-hercules-love-affair","tag-hoffnung","tag-jagjaguwar","tag-portishead","tag-sharon-van-etten","tag-synthies"],"acf":[],"yoast_head":"\nSharon Van Etten \u2013 \u201eRemind Me Tomorrow\u201c (Rezension) – ByteFM<\/title>\n<meta name=\"description\" content=\"Die US-amerikanische Musikerin Sharon van Etten will Hoffnung verbreiten. 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